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Some of our readers are lovers of operatic music, and have heard Zampa. The placing of a ring on the finger of a statue and its consequences must have been gathered from a story by Floriguus. He mentions the case of a young gentleman of Rome, who, on his wedding day, went out walking with his bride and some friend after dinner; towards evening, he got to a tennis-court and whiel he played he took off his ring and placed it upon the finger of a brass statue of Venus. The game finished, he went to fetch his ring; but Venus had bent her finger upon it and he could not get it off. Whereupon, loth to make his companions tarry, he there left it, intending to fetch it the next day, went then to supper and, so, to bed; but, in the night, the truly brazen Venus had slipped between him and his bride, and thus troubled him for several successive nights. Not knowing how to help himself, he made his moan to one Palumbus, a learned magician, who gave him a letter and bade him, at such a time of the night, in such a crossway, where old Saturn would pass by with his associates, to deliver to him the epistle. The young man, of a bold spirit, accordingly did so; and when Saturn had read it, he called Venus, who was riding before him, and commanded her to deliver the ring, which forth with she did.
Moore has even made use of this tale. He calls it "The Ring," and uses upwards of sixty stanzas on it. He seems here to have laid aside, as much as it was possible for him, his usual polish and tried to imitate Monk Lewis. The scene is laid in Christian times; his hero is one Rupert; and the deliverer a Father Austin. Moore says he met with the story in a German work, "Fromman upon Fascination;" while Fromman quotes it from Belaucensis.
It is remarkable how often we find stories, which have originated in heathen times, made a vehicle for Catholic tales. The above has found its way into monkish legend.
In The Miracles of the Virgin Mary, compiled in the twelfth century, by a French monk, there is a tale of a young man, who, falling in love with an image of the Virgin, inadvertently placed on one of its fingers a ring, which he had received from his mistress, accompanying the gift with the most tender language of respect and affection. A miracle instantly took place and the ring remained immovable. The young man, greatly alarmed for the consequences of his rashness, consulted his friends, who advised him, by all means, to devote himself entirely to the service of the Madonna. His love for his former mistress prevailed over their remonstrances and he married her; but on the wedding-night, the newly betrothed lady appeared to him and urged her claim, with so many dreadful menaces that the poor man felt himself compelled to abandon his bride and, that very night, to retire privately to a hermitage, where he became a monk for the rest of his life. This story has been translated by Mons. Le Grand, in his entertaining collection of fabliaux, where the ring is called a marriage-ring.
Perhaps this last story grew out of the legend of St. Agnes. A priest, who officiated in a church dedicated to St. Agnes, was very desirous of being married. He prayed the Pope's license, who gave it him, together with an emerald ring; and commanded him to pay his addresses to the image of St. Agnes in his own church. Then the priest did so and the image put forth her finger and he put the ring thereon; whereupon the image drew her finger in again and kept the ring fast--and the priest was contented to remain a bachelor; "and yet, as it is sayd, the rynge is on the fynger of the ymage." |
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