Nephrite, Jadeite, and Other Green Gems

The origin of prehistoric jade, with theories by Heinrich Fischer and Professor A. B. Meyer, jade as an ornament, the popularity of green stones, and sculptured jade

The source of the prehistoric jade (nephrite and jadeite) found in Europe, and also of that worked into ornaments by the Indians before the Spanish Conquest of America, was long the subject of contention among mineralogists and archaeologists. In Germany this question was denominated the Nephritfrage, and the most notable contribution to the discussion was the great scientific and scholarly work issued by Heinrich Fischer. ("Nephrit und Jadite," Stuttgart, 1880.) His conclusion was that as there was no evidence of the existence of these minerals outside of a few localities in Asia, the European and American supply must have been brought to these parts of the world from Asia, and that hence the presence of these jade artefacts in America clearly pointed to commercial intercourse at an early period between the American continent and Asia, and might be regarded as offering a strong argument in favor of an Asiatic origin for an American civilization. According to this theory the prehistoric jade objects found in Europe must have had a similar source, and would constitute a proof of the existence of traffic with remote points in Asia at a date long previous to that commonly accepted.

This view was strongly opposed by Prof. A. B. Meyer, of Dresden, and recent discoveries have effectively disproved the theory in the case of Europe at least, for nephrite has been found there in situ in several places. The largest mass of this material that has been taken from a European deposit is that found by the writer at Jordansmuhl in Silesia, in April, 1899, and which weighed 4704 pounds. (The Bishop Collection, "Investigations, and Studies in Jade," New York, 1906, vol. i, pt. iii, "Jade as a Mineral," by George Frederick Kunz. This immense mass of nephrite which forms part of the Heber Bishop Collection loan of jade is now in the American Museum of Natural History, New York.) The origin of American jade in the forms of nephrite and jadeite has not yet been definitely determined, but we have every reason to suppose that deposits of these minerals will eventually be discovered in various parts of the American continent, as they have already been in Europe. Indeed, the existence of nephrite in Alaska is already well attested.

The peculiar and characteristic qualities of these substances have made them favorite materials for ornamental objects from the earliest ages down to our own day, and in almost all parts of the world. A most important element contributing to the popularity of jade has been its supposed possession of wonderful talismanic and therapeutic virtues, and while the Western world has not the same belief in these matters as the Eastern world, a more or less definite appreciation of what jade still signifies for many in the Orient, continues to exercise an influence over both Americans and Europeans, making objects of nephrite or jadeite highly prized everywhere at the present time.

The term chalchihuitl was indifferently applied by the ancient Mexicans to a number of green or greenish-white stones; quetzal chalchihuitl, which was regarded as the most precious variety, may perhaps have more exclusively denoted jadeite. This is somewhat indefinitely described by Sahagun as being "white, with much transparency, and with a slight greenish tinge, something like jasper." Of eight ornamental objects of green stone examined some years ago by the writer, four were of jadeite, one of serpentine, another of green quartz, and the remaining two of a mixture of white feldspar and green hornblende. An inferior kind of chalchihuitl, said by Sahagun to have come from quarries in the vicinity of Tecalco, appears to have been identical with the so-called "Mexican onyx" which is found in veins in that place and is an aragonite stalagmite. This material, from which figures, ornaments and beads were made by the ancient Mexicans, is to-day greatly valued as an ornamental stone.

The greater number of ancient Mexican jadeite beads appear to have been rounded pebbles of this material, assorted as to size and drilled for use in making necklaces. Other green stones used at this time in Mexico were green jasper, green plasma, serpentine and also the "Tecalco onyx" or "marble" above mentioned. In many cases these substances are of such rich green that they might easily be mistaken for jadeite by those who lacked the tests or the experience at the command of modern mineralogists. Should jadeite ever be found in situ in Mexico, it seems probable that the discovery will be made in the State of Oaxaca, whence came the finest ancient specimens, including the splendid votive adze. Moreover, one of the few materials by which jadeite can be worked is furnished by the streams of this region, whence have been taken several rolled pebbles which the writer has identified as yellow and blue corundum, the quality being equal to that of specimens from Ceylon. (Kunz, "Chalchiuitl: a note on the jadeite discussion," Science, vol. xii, No. 298.)

One of the largest masses of sculptured Chinese jade is in the collection of T. B. Walker, Esq., of Minneapolis. This shows a jade mountain, with groups of figures artistically placed at its base, and winding pathways up to its summit. On the face of the rock is inscribed in beautiful Chinese characters the Epidendron Pavilion Essay of Wang Hi-che, a masterpiece of Chinese calligraphy.

An enormous mass of New Zealand jade (punamu, "green stone") weighing 7000 pounds, found in South Island in 1902, is to be seen in the Museum of Natural History, New York; it was secured by the writer and was donated to the Museum by the late J. Pierpont Morgan. This is the largest mass of jade known, or of which we have any record. On it is placed a remarkable and, in its own peculiar way, an artistic decoration, serving as a type of old Maori life, and at the same time designating the geographic source of the jade in a striking and unmistakable manner calculated to appeal to the least intelligent visitor. This is a statue of a Maori warrior of the old days, executing a war dance, characteristics of which were a distortion of the features and a thrusting out of the tongue intended to express defiance and contempt of the enemy; the time or cadence of the dance was marked by slapping the thigh with the flat of the left hand. This figure was executed from life by Sigurd Neandross; indeed it was actually cast from the model, so that there can be no doubt as to its fidelity.


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