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Among the celebrated emeralds noted by George Agricola (Agricolae, "De natura fossilium," lib. vi, Basileae, 1546.) (1490-1555) was a large one preserved in a monastery near Lyons, France. This is also mentioned by Gesner, who states that it was shaped as a dish, or shallow cup, and was held to be the Holy Grail, like its rival at Genoa. (Gesner, "De figuris lapidum," Tiguri, 1565, ff, 112v, 113r). Another of Agricola's emeralds was somewhat smaller, but nevertheless measured nine inches in diameter and was in the chapel of St. Wenceslaus, at Prague; this may have been a chrysoprase, as at the present day many fine peeimens of this stone can be seen in St. Wenceslaus, where the walls are inlaid with the golden green gem-stone. Still another, larger than the last named, was set in the gold monstrance in Magdeburg, and was believed to have been the handle of Emperor Otho I's knife, since it was perforated. Possibly, however, the emerald, if genuine, was an Oriental stone, for it was customary to pierce rubies, sapphires, emeralds, etc., in the East so as to string them for necklaces or attach them as pendants to a jewel.
In the convent-church of St. Stephan, in Persian Armenia, erected about the middle of the seventeenth century, it is related by the French traveller Tavernier that there was preserved a cross said to be made out of the basin in which Christ washed the feet of the Apostles. Set in this cross was a white stone, and the priests asserted that when the cross was laid upon the body of one seriously ill, this stone would turn black if he were about to die, but would regain its white hue after his death. ("Les six voyages de Jean Baptiste Tavernier," La Haye, 1718; Voyages en Perse, liv.i, chap.iv).
No jewelled sacred image has been the object of greater reverence than has been accorded to the rude little wooden carving popularly known as the "Sacro Bambino" or "Sacred Baby," in the old church of Ara Coeli in Rome. This figure was carved, in 1847, by a monk, out of a piece of olive-wood from one of the ancient trees growing on the Mount of Olives near Jerusalem. The carving was executed in the Holy Land and was sent thence to Italy, and although the ship bearing it was shipwrecked, this precious freight was miraculously preserved and is supposed to have been conveyed to its destination in some mysterious way. The reverence of the thousands of pilgrims who in the course of time have gazed with veneration upon this quaint and curious work of art, has found expression in the bestowal of a wealth of gems and jewels, including necklaces, brooches, rings, etc., with which the silken dress of the image is studded. A crown of gold adorned with precious stones rests upon the head of the olive-wood figure, which is jealously guarded by the priests and only shown to the faithful as a particular favor, except on the occasion of certain religious festivals. |
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Precious Stones Guide Vol 9
>> Monasteries, Convents, and Churches: Gem Collections (part 1)
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