Medieval Treatises on Gems

Medieval treatises written about the powers and superstitions surrounding precious stones and gems, with authors such as De Mely, St, Epiphanius, Thomas de Cantimpre, Albertus Magnus, and Ludovico Dolce

The treatise known under the title "Cyrianides" was, as we have noted, a poduct of the Alexandrian school. It was asserted to be the work of Hermes Trismegistus, the name given by the Greeks to the Egyptian god Thoth.

Here we have a specimen of the species of magic known as litteromancy, or divination by means of the letters of the alphabet, since a stone, a bird, a plant, and a fish, each begining with the same letter and signifying the four elements, are given for each of the twenty-four letters of the Greek alphabet. These four objects were to be grouped together to form a talisman, the bird being usually engraved on the stone, while a portion of the fish and of the plant was placed in the bezel of the ring in which the stone was to be set. (De Mely, "Les lapidaires de l'antiquite et du moyen-age," vol. ii, "Les lapidaires grecs," Paris, 1898.) Another, almost contemporary work, is the exceedingly curious and interesting treatise by St. Epiphanius, Bishop of Constantia, in the twelve gems on the "Breastplate of Judgment" of the high priest (Ex., xxviii, 15-21). This unique production is in the form of a letter addressed to Diodorus, Bishop of Tyre, and it is peculiarly valuable as the first of a long series of attempts to elucidate the question as to the identity of the twelve stones. The special virtues of each stone are also given, and this treatise may be regarded as the prototype of all the Christian writings on the symbolism of stones.

A most interesting medieval treatise on the virtues of precious stones forms part of the De rerum natura of Thomas de Cantimpre (1201-1270), who was a pupil of Albertus Magnus and composed his work between 1230 and 1244. The Latin text has never been printed, but the book was translated into German by Konrad von Megenberg about 1350. Strange to say, the translator did not know the name of the writer and supposed when he began to translate the book that it was by Albertus Magnus. In many cases Thomas de Cantimpre merely copies the statements of older authors, but occasionally he gives us new material, or at least a new version of his originals.

The renowned medieval philosopher and theologian, Albertus Magnus (1193-1280), for a short time Bishop of Ratisbon, and who later taught theology in the University of Paris and had the great St. Thomas Aquinas for a pupil, was not altogether free from the superstitions notions of his time, traces of whch appear in certain of his numerous writings. Many years after his death some of this material was extracted from his works and, amplified by additions from other sources, was published under the title "Secrets des vertus des Herbes, Pierres et Bestes." Of this there are two versions, one being an epitome of the other and termed respectively "Le Grand Albert" and "Le Petit Albert." These little books were often reprinted and widely circulated, and eventually enjoyed great popularity among the French peasants. Indeed, even to the present day they may still be met with in out-of-the-way parts of rural France.

Among literary deceptions one of the boldest was that practised in the early part of the seventeenth century by Ludovico Dolce. This writer made, in 1565, a literal translation into Italian of the "Speculum lapidum" of Camillo Leonardo, printed in Venice in 1502, and he had the courage to issue it as his own work, under the title "Trattato delle gemme che produce la natura." In view of the general familiarity with Latin among the better classes at that period, and the numerous fine libraries existing in Venice at the time, it seems most extraordinary that Dolce should have been successful in palming off this work as his own, but even to-day citations are made from Dolce's "Trattato delle gemme" and from Leonardo's "Speculum lapidum," as though these were distinct works.


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