The History and Folklore Surrounding Coral

The preference of glass beads to coral beads among savage tribes, the provision of safety in water, and the coral's loss of powers after it is broken

Coral

The appreciation of coral as an ornament, or for amulets, seems to presuppose a certain development of civilization, for savage tribes greatly prefer glass ornaments. Many attempts have been made to introduce coral beads instead of glass beads among such tribes, but with no success, as the cheaper, but brighter, glass always commands a higher price. (Bauer, "Edelsteinkunde," Leipzig, 909.)

To still tempests and traverse broad rivers in safety was the privilege of one who bore either red or white coral with him. That this also stanched the flow of blood from a wound, cured madness, and gave wisdom, was said to have been experimentally proved. (Albertus Magnus, "Le Grand Albert des secretz des vertus des Herbes, Pierres et Bestes. Et aultre livre des Merveilles du Monde, d'aulcuns effetz causez daulcunes bestes," Turin, Bernard du mont du Chat (c. 1515). Liv. ii, fol. 9 recto.)

Coral, which for twenty centuries or more was classed among the precious stones, to retain its power as an amulet, must not have been worked, and in Italy only such pieces are valued for this purpose as have been freshly gathered from the sea or have been cast up by the sea on the shore. To exercise all its power against spells, or enchantments, coral must be worn where its brilliant color makes it conspicuous; if, however, it should by accident be broken, the separate pieces have no virtue, and the magic power ceases, as though the spirit dwelling in the coral had fled from its abode. The peasant women are careful to guard the corals they wear for a special purpose from the eyes of their husbands, for the substance is believed to grow pale at certain seasons, regaining its pristine hue after a short interval of time. Indeed, the women believe that the coral shares their indisposition with them. All this serves to show that a kind of vital force is believed to animate the material, gaining or losing in vigor according to certain conditions, and finally disappearing when the form is broken. These beliefs are all clearly traceable to the animistic ideas of primitive man. (Bellucci, "II feticismo primitivo in Italia," Perugia, 1907.)


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