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The opal seems to have appealed to Shakespeare as a fit emblem of inconstancy, for in "Twelfth Night" he makes the clown say to the Duke: (Shakespeare, "Twelfth Night," Act ii, Sc. 4.)
Now the melancholy God protect thee, and the Tailor make thy garment of changeable taffeta, for thy mind is very opal.
That the beauty of the opal was fully appreciated in the sixteenth century is shown by the words of Cardano, who states that he once bought one of these stones for fifteen gold crowns and found as much pleasure in its possession as he did in that of a diamond that had cost him five hundred crowns. (Cardani, "De subtilitate," Basileae, 1560, p. 445.) Although superstitious beliefs were rather the rule than the exception in Cardano's time, none of the silly fancies regarding the ominous quality of the opal were then current. It was reserved for the nineteenth century to develop these altogether unreasonable--and indeed almost inexplicable--superstitions. The ownership of so fair an object as a fine opal must certainly be a source of pleasure, and hence add to the good fortune of the owner.
Although opal has been considered by some a stone of misfortune, black opal is regarded as an exceptionally lucky stone. Formerly black opals were artificially made by dipping the light-colored stone into ink, or by allowing burnt oil to enter cracks in the stone produced by heating. About the year 1900, however, a number of deposits of natural black opals were found in the White Cliff region of New South Wales, whence exceedingly beautiful gems have been secured, with wonderful flames of green, red, and blue in a black field. Some of these have sold for $1000 and even for a higher price, the smaller ones bringing from a few dollars upward each. It has been claimed that $2,000,000 worth have been sold from New South Wales. A remarkable example is figured on the frontispiece of this volume. The late F. Marion Crawford was a great admirer of this strangely beautiful variety of opal.
That ill-luck and good-luck are relative terms is shown as published of an opal by Paris newspapers. A shop-girl, plainly clad, in crossing the Place de l'Opera, when the street traffic was at its greatest, stopped at one of the "refuges" halfway across the street. To the girl's great surprise, an elegantly attired lady standing there slipped an opal ring from her finger and gave it to the girl, who took it to a jeweller's shop to sell it. Here she was arrested on suspicion of having stolen it. The magistrate before whom she appeared was inclined to believe her story and ordered a "personal" in a widely read journal asking the lady to clear the girl of the charge. A titled lady presented herself, substantiating the girl's statement. She feared ill-luck would befall her if she wore or kept the ring, which was returned to the shopgirl.
A possible explanation of the superstitious dread the opal used to excite some time ago may be found in the fact that lapidaries and gem-setters to whom opals were entrusted were sometimes so unfortunate as to fracture them in the process of cutting or setting. This was frequently due to no fault on the part of the cutters or setters; but was owing to the natural brittleness of the opal. As such workmen are responsible to the owners for any injury to the gems, they would soon acquire a prejudice against opals, and would come to regard them as unlucky stones. Very widespread superstitions have no better foundation than this, for the original cause, sometimes a quite rational one, is soon lost sight of and popular fantasy suggests something entirely different and better calculated to appeal to the imagination. |
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Precious Stones Guide Vol 9
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