Various Forms of Emblems from Precious Stones

Ornamental Christian celt pieces from Perugia, amulets of peculiar form from Japanese graves, combined magatama colors as yang and yin, and the superstitions of the Burma tribes in regard to stones

Many are unaware of the fact that a number of ornamental objects made of nephrite and jadeite-unquestionably of European origin-are to be seen in the quiet little town of Perugia. These objects, collected principally in central and southern Italy, constitute the Belucci Collection, in that city. This collection also contains other specimens of worked jadeite, which must have been brought to Europe at the time of the Spanish conquest of Mexico and Peru. A very interesting example shows us the utilization of a pagan celt to form a Christian emblem. By the removal of a rectangular piece from each of the four corners of the jadeite celt, a perfect cross has been made, the back and front of which still offer the original polish given to the material centuries ago by the native American worker. The superstitious belief propagated in Europe by the returning Spanish sailors, very probably an invention of their own to enhance the value of their jade and jadeite, that these minerals were worn by the natives as a cure for diseases of the kidneys, whence the name lapis nephriticus, rendered the material exceptionally precious in the eyes of many, and quite possibly it may have been thought that, by transforming this object into the sacred form of the cross, a talisman would be produced that would not only effect the cure of a special disease, but would also by its superior virtue guard the wearer from harm and danger of all kinds. Here may also be seen some celts of European jade sewed up in little bags to be worn on the loins.

Certain curious amulets called magatama (crooked jewels) have been found in Japanese graves of the iron age; (Dr. Baelz, of the Imperial University of Tokyo, in Report of the Smithsonian Institution for 1904.) they are formed of various materials, among others of steatite, jasper, carnelian, agate, rock crystal, chrysoprase and nephrite (jade). In the shell heaps of a period preceding the iron age, the magatama are frequently made of horn, or of boar's or wolf's teeth, and their peculiar form, which is variously explained as a symbol, may have been conditioned by the shape of the materials originally used. The magatama were evidently regarded as amulets. "They are generally perforated at the thick end, and were worn on a string, together with beads and bugles of the same material." These peculiar ornaments were used to adorn the statues of the gods and were also employed as imperial insignia and distinctive marks of high rank. At the present day they are numbered among the three emblems of sovereignty in Japan.

A green and a red magatama are combined in the national emblem of Korea and a similar figure is used in China to symbolize the union of the masculine and feminine principles (Yang and Yin) in nature. Dr. Baelz believes that the swastika emblem, encountered in so many different parts of the world, belongs to the same order of ideas.

The Bghai tribes of Burma have many superstitions in regard to stones, such as garnets, rock-crystal, chalcedony, carnelian, agate, onyx and others of less value, their repute not depending entirely or principally upon their quality as gem-stones. In almost every household is installed a stone fetish, and blood offerings are on occasion made to this. A question as to the reason for this offering elicited the following reply: "If we do not give it blood to eat it will eat us." A common belief was that spirits good or bad dwelt in the stones, and in case a great misfortune befell a family, this was sometimes laid to the charge of such a spirit. The father of a family having died, his widow commanded her son to throw away their magic stone. This he did, but the spirit was not to be denied, for shortly afterward this very stone was found to have returned to its accustomed place, and had even brought two companion stones with it! (Mason, "Burmah, its People and Natural Productions," Rangoon, 1860).


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