Dr. Dee and Crystal Balls

Dr. Dee's experiments with crystal balls, his interpreter Kelley, his manuscripts on how crystal-gazing should be set up and the spirits with whom he met, and the materials used by the scryers according to Horace Walpole

The famous charlatan, Dr. Dee, who was for a time a prominent figure at the court of Emperor Rudolph II, was highly favored by Queen Elizabeth. The queen visited him several times, and even appears to have consulted him on political matters. In his diary the doctor relates that the queen called at his house shortly after his wife's death, which took place March 16, 1575. Of this visit he gives the following details:

"The Queen's Majestie, with her most honorable Privy Council, and other the Lords and Nobility, came purposely to have visited my library: but finding that my wife was within four hours before buried out of the house, her Majestie refused to come in; but willed to fetch my glass so famous, and to show unto her some of the properties of it, which I did. Her Majestie being taken down from her horse by the Earle of Liecester, Master of the Horse, at the church wall of Mortlake, did see some of the properties of that glass, to her Majestie's great contentment and delight."

("The Private Diary of Dr. John Dee," ed. by Halliwell, London, 1842 (Camden Soc. Pub.), note ("Compendious Memorial,")).

It was at Mortlake, on December 22, 1581, that Dr. Dee made his first essay with his crystal ball. The proceedings were conducted with a certain religious ceremonial, and began with a pious invocation to the angel of the stone. This celestial being soon graciously deigned to manifest himself in the stone and--presumably by the voice of the scryer--answered the questions put by those present.

There can be little doubt that Dee used more than one crystal in the course of his experiments; that now in the British Museum is of cairngorm, or "smoky-quartz." This variety of quartz may have been chosen because of the Scotch superstitions regarding its virtues; for, as a rule, charlatans seek to avail themselves of already existing superstitions in order to make their innovations more acceptable.

To give assurance to those who consulted such crystals that no diabolical agency was involved in the production of the phenomena, it was customary that a child should be the crystal-gazer. In Dr. Dee's experiments, however, it was usually the notorious Kelley, his âme damnée, who undertook this task of interpreting the crystal visions. The description given by Dee of a little girl who frequently acted as the intermediaty of the higher powers suggests one of the fanciful creations of our great novelist Hawthorne. Her mystic name was Madimi, and she is depicted as a pretty girl about eight years old, and with long flowing hair. To make her appearance more conspicuous, she was attired in a silk dress with chatoyant effects in red and green. At times, during the séances, this gay little figure could be seen flitting about the study, rendered even more whimsical and strange from its contrast with the piles of dusty old books, the curiosities, and the magical instruments collected there. (A true and faithful Relation of what passed for Many Yeeres between Dr. John Dee and Some Spirits. With preface by Meric. Casaubon, London, 1659.)

This visionary maiden Madimi, of whom Dee relates so much in his diary, was apparently a child of fancy, a creation of Kelley's fertile brain. The diary is some-what obscure in this particular and easily misunderstood; but there can be little doubt that where Madimi is represented as speaking, it is Kelley's voice that transmits to Dee her revelations. One passage, often overlooked, gives evidence of this. Madimi has appeared and is addressing her remarks to Kelley and to Dee by turns; finally, Dee says, "I know you see me often and I see you only by faith and imagination." To this Madimi quickly retorts, "pointing to E. K." (Kelley), "That sight is perfecter than his." Evidently we must understand this to signify something that Kelley has told Dee, for the latter's words show that he did not himself see the little fairy pointing to his friend. In many respects little Madimi may recall another "spiritual" maiden of whom we heard much a few years ago, the sprightly little Indian spirit "Bright Eyes," whose love for candy and jewelry was so very earthly.

Not only the quality of the crystal had to be considered, but also its support and surroundings. Of this we have an interesting instance in the case of Dr. Dee's crystal. In one of his manuscripts is recorded the fact that on the 10th of March, 1582, Kelley saw in the crystal a representation of the form and arrangement of the table on which it should be set; particular instructions on the matter were also directly imparted to the scryer by the angel Uriel. The table was to be square, measuring two cubits each way and two cubits in height; and it was to have four feet. The material was to be "swete wood" and upon it was to be placed the Sigillum Dei (Seal of God) impressed upon the purest, colorless wax, the disk being 1 1/8 inches thick and 9 inches in diameter. It bore a cross and the magic letters A. G. L. A., a transliteration into Roman characters of the initials of the Hebrew words signifying "Thou are great forever, O Lord." Four other and smaller seals were to be provided, one to be placed under each leg of the table; each of these seals being impressed with geometrical figures within or upon which were the seven sacred names of God and the names of the seven angels ruling the seven planetary heavens; Zabothiel, Zedekiel, Madiniel, Semeliel [Semeshiel], Nogabiel, Corabiel [Cocabiel] and Levaniel, the angels, respectively, of Saturn, Jupiter, Mars, the Sun, Venus, Mercury and the Moon. There then appeared to the scryer the figure of the table with the crystal resting upon it. Of this it is said: (See B. M. Dalton's notes in the Proceedings of the Society of Antiquaries, 2d ser., vol. xxi, 380-383. Sloane MS. A. 3188.)

"Under the table did seeme to be layd red sylk to lye four square somewhat broader than the table, hanging down with four knops or tassells at the four corners thereof. Uppon the uppermost red silk did seme to be set the stone with the frame, right over and uppon the principal seal, saving that the sayd sylk was betwene the one and the other."

It therefore seems that the prejudice in favor of a black or at least a dark background for the crystal did not appeal to Dr. Dee, and indeed the effect of color may perhaps better serve to neutralize troublesome reflections than does black.

The personages Kelley pretended to see in or around the magic crystal were described by him to Dr. Dee in the greatest detail, and this undoubtedly served to lend more reality and authority to their communications. As an illustration of Kelley's inventiveness in this matter, we may take his deseription of "Nalvage," a spirit that first appeared while the doctor and his famulus were in Cracow, April 10, 1584, and was subsequently a frequent visitor. The seer introduces his new "control" as follows: (Op. cit.)

He hath a Gown of white silk, with a Cape with three pendants with tassels on the end of them all green; it is fur, white, and seemeth to shine, with a wavering glittering. On his head is nothing, he hath no berd. His phisiognomy is like the pictures of King Edward the Sixth; his hair hangeth down a quarter of the length of the Cap, somewhat curling, yellow. He hath a rod or wand in his hand, almost as big as my little finger; it is of Gold, and divided into three equal parts, with a brighter Gold than the rest. He standeth upon his round table of Christal, or rather Mother of Pearl.

When reading the words spoken by Kelley and so carefully preserved by Dr. Dee, we are reminded, aside from the archaic turn of speech, of the minute descriptions so glibly given by modern mediums. It is true that lately, in America, the spirits of the former owners of the land, of the blameless aborigines, seem to have acquired a quasi monopoly of the intercourse with the other world.

Most of the early records of crystal-gazing show conclusively enough that the images revealed in the stone were produced by the expectations, the hopes, or the fears of the gazer. In many cases, indeed, the vision is only prophetic because it determines the future conduct of the person who consults the stone. Fully persuaded that what has been seen must come to pass, he, or she, proceeds more or less consciously to make it happen, to fulfil the prediction.

As an instance of this we may take from an old German book (Rist, "Die Aller-Edelste Zeit-Verkurtung der ganzen Welt," Franckfurt on dem Mayn, 1668.) the tale of a lovelorn maiden who seeks the aid of an enchantress to learn whether she will marry her lover, upon whom her parents look with disfavor. The mystic crystal is brought out wrapped in a yellow handkerchief, and is placed in a green bowl beneath which is spread a blue cloth, the reflections from these different colors being probably calculated to stimulate the optic nerve and favor the appearance of some picture upon the polished surface of the crystal. The young girl, in rapt attention, looks long and earnestly; at last she cries out that she sees her own form and that of her lover. Both look pale and sad, and they appear to be about to set forth upon a long and perilous journey, for the lover wears riding-boots and carries a brace of pistols. The girl is so terrified at the sight that she faints away. The sequel of this vision is a runaway match, and we can easily understand that when the lover proposed this adventure, the girl believed that it was written in the book of fate and willingly agreed to undertake it.

The great humorous poem "Hudibras," wherein all the foibles of the seventeenth century are castigated, does not fail to make mention of Dee and Kelley and their crystal. Of the sorcerer whose aid Hudibras seeks we are told: (Butler, "Hudibras," Part II, Canto III, 11, 235-8, and 631-4. This second part was issued in 1663, four years after Casaubon's publication of Dee's journal.)

He'd read Dee's prefaces before,

The Dev'l and Euclid o'er and o'er;

And all th' intrigues 'twixt him and Kelley,

Lascus and th' Emperor, would tell ye.

Kelley did all his feats upon

The devil's looking-glass, a stone

Where, playing with him at bo-peep

He solved all problems ne'er so deep.

In his experiments in crystal-gazing, Dr. Dee evidently used more than one crystal, and did not indeed confine the operations of his scryer or scryers to brilliant spheres. In the collection of Horace Walpole, at Strawberry Hill, was a polished slab of black stone, obsidian, from Mexico. This came into the possession of Mr. Smythe Piggott and later (1853) into that of Lord Londesborough; it is now in the collection of Prince Alexis Soltykoff. Horace Walpole wrote a label for the stone, in which he says that it had long been owned by the Mordaunts, Earls of Petersborough, and was described in the catalogue of their collection as the black stone into which Dr. Dee used to call his spirits. Later it was owned by John Campbell, Duke of Argyle, who gave it to Horace Wal pole. (Miscellaneae graphica: Representations of Ancient Medieval and Renaissance remains in the Possession of Lord Londesborough; introd. by Thomas Wright, London, 1857.) Undoubtedly any polished surface, whether flat or convex, might serve the purpose of the scryer almost equally well; the possible advantage of a convex or a spherical form consists in the multiplying of the reflections and light points so that the sight is induced to wander from point to point, and that forms and even motions are suggested by the superposition and combination of the various reflections. Often, too, a light point visible to one eye will not be so to the other, this sometimes provoking the phenomenon of binocular vision, which asserts itself for a moment or two, when the diverse images coalesce again, though imperfectly, giving an impression of movement. For one gifted with imagination and the natural quality of visualizing brainpictures, these shifting light-points and the more or less definite and repeated reflections of surrounding objects offer abundant material out of which to construct life-like pictures apparently seen in the crystal. That the crystal, may or may not have a peculiar psychic value, brain-pictures thus thrown out, so to speak, upon the other than their value as mere phenomena, depends upon the significance we are inclined to attribute to the processes of the subconscious intelligence; of its existence, indeed, there can be no doubt, and many of our best thinkers incline to the belief that through it the narrow limits of our personality are occasionally transcended.


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